emirates7 - Art has always been a powerful force connecting people across different regions and belief systems, and today, its role in bridging cultural gaps is more crucial than ever. At the Arab Media Summit, a session focused on art and culture highlighted the increasing acknowledgment of creative expression as a key element in shaping public conversations.
The session, called “Dialogue on Art and Culture,” took place on the summit’s second day at the Dubai World Trade Centre. It was moderated by Antonia Carver, CEO of the Art Jameel Centre, and featured international author and scholar Saeb Eigner.
Eigner introduced his latest book, “Artists of the Middle East: 1900 to Now,” a detailed 400-page work documenting the contributions of 259 artists from the region.
Both Carver and Eigner welcomed the inclusion of an art-focused discussion in a major media event, describing it as a timely and much-needed initiative.
Eigner, who is well known for his leadership in financial regulation alongside his passion for art and culture, shared how he manages his dual careers: “Art occupies a solid third place in my life, after work and family,” he remarked.
While his earlier book, “Art of the Middle East,” which has achieved international acclaim and is now in its fourth edition, provided a broad introduction to regional art, his new volume offers a deeper exploration of the Middle East’s artistic development, featuring both early modern artists and contemporary creators.
Iconic works discussed during the session included Dia al-Azzawi’s “Angry Man,” Mahmoud Saïd’s “Peasant Girl,” and the evocative art of Kamala Ibrahim Ishaq. The book also features artists such as Inji Efflatoun and Abdulhalim Radwi, presenting a rich tapestry of stories, regional styles, techniques, and influences. The cover showcases AI-inspired art by Palestinian artist Samia Halaby.
Eigner reflected on the rich historical background of each artist featured, some of whom have passed away, while others continue to actively influence today’s art scene. He pointed out the inclusion of Arabic calligraphy dating back to pre-Islamic times, underscoring the enduring linguistic and visual heritage found in the arts.
Significantly, the book highlights female artists as well. “Choosing only 259 artists was challenging,” Eigner said, “but our goal was to an authentic, broad narrative of Middle Eastern creativity.”
The session concluded with a heartfelt reminder that art is more than just a form of expression—it is essential during times of division. By celebrating cultural heritage and personal stories, art helps cultivate empathy and mutual understanding across borders.
The session, called “Dialogue on Art and Culture,” took place on the summit’s second day at the Dubai World Trade Centre. It was moderated by Antonia Carver, CEO of the Art Jameel Centre, and featured international author and scholar Saeb Eigner.
Eigner introduced his latest book, “Artists of the Middle East: 1900 to Now,” a detailed 400-page work documenting the contributions of 259 artists from the region.
Both Carver and Eigner welcomed the inclusion of an art-focused discussion in a major media event, describing it as a timely and much-needed initiative.
Eigner, who is well known for his leadership in financial regulation alongside his passion for art and culture, shared how he manages his dual careers: “Art occupies a solid third place in my life, after work and family,” he remarked.
While his earlier book, “Art of the Middle East,” which has achieved international acclaim and is now in its fourth edition, provided a broad introduction to regional art, his new volume offers a deeper exploration of the Middle East’s artistic development, featuring both early modern artists and contemporary creators.
Iconic works discussed during the session included Dia al-Azzawi’s “Angry Man,” Mahmoud Saïd’s “Peasant Girl,” and the evocative art of Kamala Ibrahim Ishaq. The book also features artists such as Inji Efflatoun and Abdulhalim Radwi, presenting a rich tapestry of stories, regional styles, techniques, and influences. The cover showcases AI-inspired art by Palestinian artist Samia Halaby.
Eigner reflected on the rich historical background of each artist featured, some of whom have passed away, while others continue to actively influence today’s art scene. He pointed out the inclusion of Arabic calligraphy dating back to pre-Islamic times, underscoring the enduring linguistic and visual heritage found in the arts.
Significantly, the book highlights female artists as well. “Choosing only 259 artists was challenging,” Eigner said, “but our goal was to an authentic, broad narrative of Middle Eastern creativity.”
The session concluded with a heartfelt reminder that art is more than just a form of expression—it is essential during times of division. By celebrating cultural heritage and personal stories, art helps cultivate empathy and mutual understanding across borders.